![]() ![]() Same in the case of Apollo but with minor changes. Minimal latency is a major advantage when using the vast array of AAX DSP plugins on Pro Tools. It offers direct interaction with Pro Tools. It combines the user’s native CPU power with HDX DSP hardware acceleration, making it what Avid refers to as a hybrid audio production system. With the help of the brand-new Carbon audio interface, studio users may now afford the potent HDX DSP technology. This implies that the benefits of extremely low latency and AAX DSP plugins in the monitor pipeline only apply to tracks where audio is actively being recorded.Īt the same time, Apollo’s integrated HEXA Core processing uses six DSP chips to provide classic analog emulation and almost minimal audio monitoring and recording latency. Unlike previous engines, the mixer now runs natively on your PC, switching to DSP only for songs that can be recorded. The new Hybrid Engine for the Pro Tools mixer is responsible. Pro Tools with Carbon powering it is unmatched when it comes to recording. They are particularly useful for reducing harshness on impedance-matching ribbon mics or DI guitar and bass amplifiers.Ī loudness-matched listening test between Pro Tools Carbon and Apollo reveals that Carbon sounds slightly brighter than its rivals. So, let’s begin! Sound quality – Avid Carbon VS Apolloīoth instrument inputs make effective sound filters and colorators. We will compare both in terms of their features, telling you about the differences and similarities. However, software implementation could be more restrictive for a pricey product that is exclusively accessible to Mac users. Whereas on the avid carbon side, the Producers and artists may now utilize Avid’s well-known near-zero latency studio technology using Pro Tools Carbon, a clean audio production interface. The standout feature of Apollo is real-time UAD Processing, which enables users to use the entire library of UAD plugins with almost zero latency.Īpollo comes with the real-time Analog Classics Plus plugin collection, allowing users to record and mix using the only genuine Teletronix LA-2A and Fairchild compressors in the world. Avid Carbon VS Apollo – The Ultimate Comparison It is intended for use by audio engineers, producers, and musicians in mobile production rigs and studios of any size to record and mix music at high quality. ![]() On the other hand, the Apollo is a Thunderbolt 3 audio interface that can be placed on a rack and features real-time UAD processing. Pro Tools Carbon costs $3,999 USD, including a one-year Pro Tools membership and plugins. ![]() It should function properly as long as you never take it outside of the studio or there is no need to enlarge it. In reality, it doesn’t support networking with other devices over Ethernet it simply connects to a single computer.Īt least until Avid creates a specific driver for Windows, it continues to be Mac-only. Pro Tools Carbon’s “32-bit float precision the first in the industry” and “uses a unique version of AVB to ensure a superior link into Pro Tools. ![]() Whereas on a pc, Thunderbolt 3 port is used. For Apple, Thunderbolt 1 and 2 connections are used. Avid Carbon Apollo Sound quality Slightly brighter sound Light sound than avid Carbon Recording system The new Hybrid Engine for a better recording system HEXA Core processing and hybrid engine used for recording system Cost The new Hybrid Engine for a better recording system Less expensive Thunderbolt adapter For Apple Thunderbolt 2 and thunderbolt 3 for Macs only. Whereas Apollo is a stylish rackmount Thunderbolt 3 audio interface for the Mac or Windows that enables music engineers and project studios to track, overdub, and mix with professional-grade A/D and D/A conversion. It could be their most important hardware release in years. Ironically, Pro Tools Carbon, a new hardware product, is a return to the original features that made Pro Tools popular in professional music studios.
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